VIBES//4//LIFE
skateboarding // music // film - vibesforlife@gmail.com
Sunday, 27 May 2012
Tuesday, 22 May 2012
Wednesday, 16 May 2012
Monday, 7 May 2012
// BLUE FOX //
Skugga Baldur is the name of the novel by Icelandic contemporary writer Sjón. In English translation it is called "Blue Fox". Part of the story takes place in the Icelandic outdoors during the hunt.
Animation by Tomáš Skála (Prague/CZ)
Soundtrack by LAFIDKI
Saturday, 5 May 2012
Friday, 6 April 2012
Thursday, 5 April 2012
Monday, 2 April 2012
// SHATTERED HOLOGRAMS //
Shattered Holograms // シャッタド・ハーログラムズ [SIDE A] by Hayao Yamaneko
"All tracks treated in The Zone"
SIDE A
YMO - MASS
MIRAGE - LADY OPERATOR
KIKUCHI MOMOKO (菊池桃子) - NON STOP THE RAIN
RAMU - RAINY NIGHT LADY
SPAGNA - EASY LADY (DRIVING MIX)
ASAMI KOBAYASHI - I LIKE CHOPIN
AKINA NAKAMORI - TEENAGE BLUE
AKINA NAKAMORI - BITTER AND SWEET
JANET JACKSON - LET'S WAIT AWHILE
CELESTE - LASCIA CHE SIA
SUSAN - SCREAMER
CARRARA - DRIVING (SINGLE MIX)
Side B coming soon hopefully...
SIDE A
YMO - MASS
MIRAGE - LADY OPERATOR
KIKUCHI MOMOKO (菊池桃子) - NON STOP THE RAIN
RAMU - RAINY NIGHT LADY
SPAGNA - EASY LADY (DRIVING MIX)
ASAMI KOBAYASHI - I LIKE CHOPIN
AKINA NAKAMORI - TEENAGE BLUE
AKINA NAKAMORI - BITTER AND SWEET
JANET JACKSON - LET'S WAIT AWHILE
CELESTE - LASCIA CHE SIA
SUSAN - SCREAMER
CARRARA - DRIVING (SINGLE MIX)
Side B coming soon hopefully...
Sunday, 1 April 2012
Tuesday, 20 March 2012
Saturday, 10 March 2012
// SAGANS GOLDEN RECORD //
“the spacecraft will be encountered and the record played only
if there are advanced space-faring civilizations in interstellar space"
Tuesday, 6 March 2012
Sunday, 26 February 2012
// ANTHONY STERN - SAN FRANCISCO (1969) //
"Anthony Stern's San Francisco is one of the key works of the British avant-garde cinema of the late-1960's. It is a 15-minute voyage, set to the Pink Floyd's "Interstellar Overdrive," that palpitates through the single-frame, hand-held procedures associated in the American underground cinema with figures such as Marie Menken and Jonas Mekas. Stern, first a painter who started in film as an assitant to Peter Whitehead, articulates light and colour and motion in the spirit of Lázló Moholy-Nagy (or of Harry Callahan's photographs of Detroit in the 40s); he stretches and stops and smears film time, treated here as psychoactive sculptural material"
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